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Song for the Mute and adidas run for love, not to break records
Will Chanel’s sandals worn by Margaret Qualley kick off the “shoes-without-shoes” trend?
In 2026, "polyester" has become a dirty word
Remember the Power Balance?
The first nss magazine crossword puzzle
What happened at the TwoJeys seventh anniversary party in Ibiza
Is Gucci Really Lowering Its Prices?
This summer, you should wear tank tops on top of each other
CHANEL presents the new fragrance COCO MADEMOISELLE CRUSH ABSOLU
What if Marc Jacobs dressed Luigi Mangione for trial?
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Which European destinations do the wealthy love most?
This was a "solo travelling" summer
There's a Chinese film so bad it became a hit
But where do the lucky bracelets sold on the beach actually come from?
"Teenage Sex and Death at Camp Miasma" is gory, fun and ruthless
Meta risks being fined $1.4 trillion for causing social media addiction
Vacationing with parents is cool again
Is the iPhone Fold already a flop?
The summer family film is "The End of Oak Street"
The Klausner Method
«Critical thinking is finally entering pop culture»
«Nature is the most peculiar place, isn’t it?»
« Let us all resist together »
«A radical, fantastic moment for fashion»: interview with Kris Van Assche
«Let’s Close the Fashion Industry and Reopen It»
Beyond the Logo: Lacoste’s Crocodile as a Vision
«It’s always about the design»
«I am focused on harmony»
«The Dream Has Changed but the Dream Stays»
«My erotic imagination was built within a romantic vision of Paris»
«Picking my teeth»
«Memories of sound»
«There's no point in being afraid of the future»
Who are the 5 indie brands in Charli xcx's “SS26” video clip?
«The storage in my brain is never full»
The Ballad of Kei Ninomiya
«This collection doesn't look for answers, but lives with the fact of not having them», an interview with Emilie Wenckstern
«An idea is strong when it’s radical»
«The competitiveness of Made in Italy can no longer rely solely on price and speed», an interview with Diana Studio
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Beyond Fashion
Lessico Familiare
«We like the concept of a fashion show because, perhaps even anachronistically, we still believe in that magic: seeing the garments worn by bodies and not just by mannequins.»
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