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Why do we like ugly sweaters at Christmas?
Understanding Gen Z's obsession with prosthetic make-up
Bottega Veneta presents its new fragrance collection “Midnight”
Will Pieter Mulier really be Versace's next designer?
A sartorial project made in Scampia was born
The 10 best fashion shows of 2025
VICs are more important than ever in fashion
Havaianas presents the New Heights Winter Experience
«We want to bring tradition to the contemporary»
The story of SSENSE is not over yet
Why do we like trashy cinema during the Holidays?
Is it possible to get to Christmas without hearing "Last Christmas"?
Who's more dangerous, Vecna or Pennywise?
5 things to do in Paris this weekend
The aesthetics that will define 2026 according to Pinterest
5 things to do in Milan this Christmas
The Oscars are moving to YouTube
“They don’t know where I’m from”
The reasons behind the indefinite strike by Louvre staff
The 10 best unconventional Christmas movies
Beyond the Logo: Lacoste’s Crocodile as a Vision
«Let’s Close the Fashion Industry and Reopen It»
«It’s always about the design»
«I am focused on harmony»
«The Dream Has Changed but the Dream Stays»
«Balancing Opposites» Interview with Louis Gabriel Nouchi
«A matter of identity»
“As artists we reject the thought of being artists"
«I have no choice: I am an optimist»
«Something raw and profound»
«We want to bring tradition to the contemporary»
«Amplification is everything today,» interview with Emanuela Schmeidler
«The future of fashion lies in thoughtful partnerships», interview with Bianca Saunders
What it means to make clothes in Palestine: interview with Trashy Clothing
«Quality remains the ultimate goal»
Filipino fashion has arrived at Milan Fashion Week
Italian fashion's problems according to the designers who make it
Does Milan Fashion Week still work?
Interview with Spread the Words Communication, the agency redefining influence
«With concreteness, things reveal themselves»
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Is FOGO the new FOMO?
