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Maison Margiela Is Finally Making a Film About Its Greatest Mystery
Is it true that Anthony Vaccarello is about to leave Saint Laurent?
A new study reveals that consumers don't want new products but styling advice
Salomon has unveiled the new XT-EVO
Napapijri presents the
Now even Marks & Spencer supermarkets have an atelier
Sabato De Sarno is the new creative director of Icicle
So How Many Billions Is the Armani Group Actually Worth?
The best street style looks from Tokyo Fashion Week SS27
With Biennale College Cinema and the support of CHANEL, Venice builds a space where emerging filmmakers can still take risks
The Microdramas arrive in Venice with ADCI and YouTube
What to expect from George Lucas's new museum in Los Angeles
"Look Back" is the story of friendship and competition by Hirokazu Kore-eda
In 2026, we like pop stars a little more when they're not American
At The Hoxton you can order a Lacoste via room service
Why does the far right continue to be fascinated by the Middle Ages?
In "The Stranger" the family is fertile ground for horror and fear
"Primetime" asks us who a bad person is
The protagonists of "Oasis: Don't Look Back in Anger" are the band's fans
Is 15/18 by Cédric Kahn the most fragile film at Venice83?
The Klausner Method
«Critical thinking is finally entering pop culture»
«Nature is the most peculiar place, isn’t it?»
« Let us all resist together »
«A radical, fantastic moment for fashion»: interview with Kris Van Assche
«Let’s Close the Fashion Industry and Reopen It»
Beyond the Logo: Lacoste’s Crocodile as a Vision
«It’s always about the design»
«I am focused on harmony»
«The Dream Has Changed but the Dream Stays»
In conversation with Julie Kegels, the Belgian creator who has conquered the Parisian fashion scene
«My erotic imagination was built within a romantic vision of Paris»
«Picking my teeth»
«Memories of sound»
«There's no point in being afraid of the future»
Who are the 5 indie brands in Charli xcx's “SS26” video clip?
«The storage in my brain is never full»
The Ballad of Kei Ninomiya
«This collection doesn't look for answers, but lives with the fact of not having them», an interview with Emilie Wenckstern
«An idea is strong when it’s radical»
Browse all
Articles by "Bernardo Savastano"
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When Alexander McQueen was the creative director of Givenchy
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When Raf Simons used to design for Jil Sander
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When Stefano Pilati was creative director of Saint Laurent
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When Jean-Paul Gaultier was creative director of Hermès
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What's the real value of books for fashion?
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Are full looks a problem?
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When fashion is paper-thin
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The unstoppable rise of brand curators
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5 things you can only find on Carine Roitfeld's Instagram profile
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What is a 'masculine' silhouette?
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The meaning of post-luxury according to Stefano Pilati
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Loro Piana is still Loro Piana
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In 2013, fashion was a circus. And now?
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5 things you can find only on Jonathan Anderson's IG profile
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The jewels are the new ties
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The history of men's fur coats
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Does Rome have a fashion problem?
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Fashion's most iconic hairstyles
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Every time Mickey Mouse was spotted on the catwalk
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All the trends initiated by Miu Miu
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5 cose che puoi trovare soltanto sul profilo Ig di Marc Jacobs
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Please don't call it a man's bag
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Why Alessandro Michele would be the ideal creative director for Bulgari
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All the best footwear of this fashion month
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